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by Lightleak

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1.
I had a dream I was your drummer come again, come again Blessed broke, I was a lover come again, come again We’d never seen this side of summer come again, come again All was well as one to wonder come again, come again
2.
Oh, Utopia 03:07
[The fox sold pleasure to the gander the goose grasped firmly her bliss] Heaven’s a layaway away, credit will cover it The market demands that I maintain my, my commitment to comfort Oh, utopia—you’re miserable Oh, such satisfaction’s unbearable Oh, utopia [The fox sneered at their penniless joy when the geese ran out of bargaining chips] Hell bent to heed all the ad men, consent to confusion Relax, rejoice in the rapture Intact despite dissolution Oh, utopia There’s delight in our distress, boredom in redundant bliss Oh, utopia—you’re miserable Oh, such satisfaction’s unbearable
3.
Henry the Hammer was seven and restless, a wrecking ball with a question, he’s helpless Surrounded by small-minded partisans, pulling him in undesired directions Big brother brought home a record, a cannonball, a brick of self-conception, a catapult Little Henry ate it up, that sound of gold Kept an ear to the ground of the good road There’s nothing to see here, nothing to find without looking elsewhere and otherwise It's an innuendo incognito Keep looking elsewhere and otherwise Henry the Hammer was patient, straight-laced, always playing straight for the mainstream to save face But Billie Joe Androgynous at the microphone chanted truth, the gospel of the good road ("Finally figured out myself for the first time") There’s nothing to see here, nothing to find without looking elsewhere and otherwise It's an innuendo incognito Keep looking elsewhere and otherwise Ooh
4.
Living Ruins 03:24
"If you could, do you think you would want to be a vampire?" "Uh, the thing is, to live forever just sounds like hell to me." "Oh. But think of all the things you could become—like, a master painter!" "I think just mastering anything at all as, like, a regular mortal human being feels more, uh… meaningful." "The future is a cloud! The future is a cloud! The future is a cloud!" "The future is concrete! The future is concrete! The future is concrete!" "What do we want?!" "NOW!" "When do we want it?!" "ALWAYS!" "What do we want?!" "LATER!" "When do we want it?!" "NOW!" "…and here we have what will surely be a notable site of some of the country’s great now-living ruins. Notice the intactness of the concrete; the windows; the alive-ness of its inhabitants... A shame, a real shame. Moving on, we have some of the future’s most delicious delicacies…"
5.
Seated in the nosebleeds, match-up of the cent’ry Winner take the country— we be witnesses only Oh, I know I know—it’s just a game Oh, I know I know—it’s warplay Rascal multitudes are taking notes Rascal multitudes are tuning in, out Spoils to the victors who sponsored the evictions Conned into conscription to carry out their mission Oh, I know I know—it’s just a game Oh, I know I know—it’s warplay Rascal multitudes are taking notes Rascal multitudes are tuning in, out Commandeered a loaner to manifest a motive Permanent opponent, force as a fortress Oh, I know I know—it’s just a game Oh, I know I know—it’s warplay Rascal multitudes are taking notes Rascal multitudes are tuning in Rascal multitudes are taking notes Rascal multitudes are tuning in, out
6.
Woven Song 03:53
Ask me to show and I will tell You bring the bow and I’ll bang the bells Learning your language, your mothertongue Someone’s gonna arrest us for our luck I’ve fumbled before and I’ll stumble again You lighten me up like a cigarette My heart’s gilded coal and my skeleton is soft You’re Carson and Nelson and Nabokov Laborers all, the division is long All we love we will weave into song With wings of red we are heels overhead as we build ourselves time and again I thought I was one thing, turned out I was two I teamed up with myself to catch up to you From you I’d been hiding while I advertised We’re always arriving yet never arrive Laborers all, the division is long All we love we will weave into song With wings of red we are heels overhead as we build ourselves time and again
7.
Stage left, their right, such lofty height now So near the crowd could taste your tune So funny how both distance and time so neatly correspond to size so neatly correspond to size Rear center stage, anxious afraid to make a sound I’ve never played the tune, but I’d pay to make you proud A drummer always dreams her dreams aloud A drummer always dreams her dreams aloud Twenty eyes upon your writhing All attention right here Gave our ears to do our tithing All attention right now Ahh-ah, your dream or mine Ahh-ah, I’m keeping time Ahh-ah, so far so close Ahh-ah, your little ghost Twenty eyes upon your writhing All attention right here Gave our ears to do our tithing All attention right now Ahh-ah, your dream or mine Ahh-ah, I’m keeping time Ahh-ah, so far so close Ahh-ah, your little ghost / then I awoke You’re looming large When you’re in sight you’re in mind, but objects in hindsight become slight Ain’t it so funny how both distance and time so neatly correspond to size Ain’t it so funny how both distance and time so neatly correspond to size
8.
Hey, what a wondrous site Say, is it love at first like Love, your data is divine Buzzed in a pseudo-afterlife User success Conscience ‘lectric If I can’t have here, I’ll take the next, the next best place If I can’t have now I’ll take the next, the next best time, yeah User success Conscience ‘lectric Here, a burning satellite Dear, your avatar’s fine fine Now our time’s been sucked dry Shout when you can’t rhapsodize User success Conscience ‘lectric If I can’t have here, I’ll take the next, the next best place If I can’t have now, I’ll take the next, the next best time, yeah
9.
I use the black screen as a mirror for my makeup and wake up the machine to the made-up world my mind is made of There’s something wrong with it, there’s something wrong with it It reads me like an illustrated booklet And it’s not a sin to not be generating folderol at all times Your body’s got better burdens to shoulder It’s the experience, it’s the experience How can I be more myself while denying myself of the fact that I simply exist A life sublime A primetime prize It’s one big rosy-hued, hollow-hearted focus group guided by the patterns of what we consume Decisions in aggregate, equations cased in skin reinforcing structures we find ourselves in And I live for it Yes, I live for it A life sublime A primetime prize What are these earthly forms for What if not to please ourselves What are these earthly forms for What if not each other Then what
10.
Mattress 01:46
You told your life story in an online review for a mattress you only half-liked, but it’s alright Considering the price point, it was the best you could do Three stars for comfort and a strong five for value Now we’re wondering How are you sleeping How are your kids How’s your sciatica that herniated disc We hope you get your rest Now we’re wondering How are you sleeping How are your kids How’s your sciatica that herniated disc
11.
He and Yves were home in the village broke and blessed and basking in it Couldn’t scrape two pennies together but richer than the richest cynic He and Yves looked up at the high-rise where the first-class fuckers reside Laughter filled their garden apartment to form a lowly lovers’ reply Comfy in the catastrophe (The limbo) Cozy in the calamity (leads to) Comfy in the catastrophe (the good road) Cozy in the calamity He and Yves were queens of the have-nots, could make each other come with a nod The haves were half of nothing in spirit, patriarchal automatons He and Yves were making a model with woven songs and cut-up novels A world for the meek to inherit, a mosaic made from broken bottles Comfy in the catastrophe (The limbo) Cozy in the calamity (leads to) Comfy in the catastrophe (the good road) Cozy in the calamity Only to make and be made Only to love and be loved Oh, utopia! Comfy in the catastrophe (The limbo) Cozy in the calamity (leads to) Comfy in the catastrophe (the good road) Cozy in the calamity
12.
Alive + Well 03:37
He eyes me—he eyes me either as a courter or a cop Precisely—precisely logging every stripe and polka dot The camera—the camera gazes longingly, IDs my face A lab rat—a lab rat in an elaborate white-light maze Watch, wait I slowly disintegrate He likes me—he likes me either livid or elated now Reminds me—reminds me there’s so much to rant and rave about, like how we’re millions—we’re millions of wondrous data points to buy and sell Decisions, decisions in aggregate, my habits alive and well Watch, wait I slowly disintegrate

credits

released January 29, 2024

Written, performed, recorded, and mixed by Dustin H. Currier (at The Keep, Coach House, Via Cisterna Tonda, and Music Zone) except where otherwise noted

Drums, percussion - Andrew Quinlan (2, 3, 4, 5, 6, 7, 8, 9, 11)
Trumpet - Ben Grigg
Tenor saxophone - Sarah Clausen
Trombone - Logan Bloom
Cello - Michelle Morales (10)
Voice - Jean Cochrane (1, 2, 4, 5, 7, 8, 9, 10), Ash Stewack (1, 2, 5, 7, 8, 9, 10), Kortland Hetzel (1, 2, 3, 4, 7, 8, 9, 11), Kristy Lueshen (2), Nicole Faust (4), Paul Karner (4), Emily Dupree (4), Teagan Walsh-Davis (4)

Drums and bass recorded by Luke Tweedy @ Flat Black Studios
Vibraphone and marimba recorded by Seth Engel @ Ohmstead
Brass recorded by Ben Grigg @ Radon Ranch

Mix consultation by Brok Mende @ Friends of Friends Recording

Mastered by Brok Mende @ Friends of Friends Recording

Thx to:
Emily Dupree, Mark Currier, Andrew Quinlan, Greg Henkin, Brok Mende, Ben Grigg, Logan Bloom, Sarah Clausen, Kortland Hetzel, Jean Cochrane, Ash Stewack, Luke Tweedy, Seth Engel, Kyle Maurisak, Sean Hallock, Emma McCall, Kate Grube, Kyle Johns, Paul Karner, Kristy Lueshen, Teagan Walsh-Davis, Nicole Faust, Liz Bajjalieh, Carrie Kaufman, Bob Adams, Chad Clark, Greg Obis

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Lightleak Chicago, Illinois

Music for people & animals.

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